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It moves in a slow approaching zigzag, marching through the Pineseskoven wasteland, through the Pentecost Forest. There is a bright monocular eye that follows, like a hunter after a wounded deer. Through the dark wood where the dead trees give no shelter Nanna Birk Larsen runs.
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It moves in a slow approaching zigzag, marching through the Pine A page-turning adaptation of the first season of the original Danish television series The Killing, from the author of the Nic Costa series. Borgen reminds us what it's easy to forget in these polarized times - that no political decision is ever pure or simple, and that it's childish to think otherwise.A page-turning adaptation of the first season of the original Danish television series The Killing, from the author of the Nic Costa series. until she has to sacrifice them when they've become a liability. She works with ministers she'd like to fire but keeps on because it would cost her too much to can them. Birgitte backs proposals she doesn't quite believe in to enact bigger policies that she does. In tackling such issues, Birgitte is clearly an idealized figure, yet Borgen makes it clear that even a virtuous politician can't be as decent as she'd like.
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Beyond this, the issues Birgitte confronts each week are the same ones we face - how to manage immigration, how to assure both security and privacy, how to keep a social safety net in a world where one's rising economic competitors cut costs by not having one. can act like the 800-pound gorilla - as when the CIA secretly uses a Danish base for illegal rendition. They're pro-American, yet as a small country they are often resentful at the way the U.S. For starters, it gives a keen glimpse at how the Danes view us.
But believe me, the show has plenty to grip an American viewer. Now, I realize that the thought of a Danish cabinet meeting may not exactly make your mouth water. Losing her knack for intimacy, she begins talking to him like a prime minister making points in a cabinet meeting. Her circle of friends shrinks, her children feel neglected, and her marriage to the funny, liberal-minded Philip - a onetime CEO who's put his career on hold - starts to founder. The more successful she becomes as PM, the more her private world dwindles. For Birgitte, power doesn't so much corrupt as isolate. I'm not sure I've ever seen a show that's better at capturing the personal cost of political life.
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Like Birgitte, both are trying to figure out how to be honest in a world where press secretaries must weasel and reporters must answer to corrupt editors or TV execs who curry the government's favor. She's a sexy but idealistic reporter who has a poster of All the President's Men on the door of her apartment. Chief among them are Birgitte's spin doctor Kasper Juul, a Don Draper-ish sort who learned how to spin as a way of camouflaging his dark past, and the woman he loves, Katrine Fonsmark. Part of what makes Borgen so enjoyable is that it surrounds her with maybe 20 vividly drawn regulars, from the smug opposition leader Hesselboe to the alcoholic old reporter Hannah Holm. Of course, Birgitte doesn't live in the world alone. Its third and final season is just out on DVD, but you'll want to start at the very beginning, which instantly sucks you into the world of Danish politics, with its idealists and ideologues, sleazy tabloids and state-run TV networks, bullying billionaires and fussy bureaucrats with minds of their own. Taking its name from the Copenhagen castle that's the seat of government, Borgen plays like a more astringent version of The West Wing, a show it clearly borrows from and improves on. And though I enjoy shows like Veep and House of Cards, they're so devoutly cynical they almost feel like part of the problem.Īs an antidote to this, I highly recommend Borgen, the crest of the current wave of Danish TV that's given us The Killing and The Bridge.
I've spent most of my life being fascinated by politics, but Washington has grown so stridently dysfunctional, I can barely stand to watch the news. Pilou Asbaek plays Don Draper-ish spin doctor Kasper Juul. Borgen's heroine is Birgitte Nyborg, superbly played by Sidse Babett Knudsen.
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